In Monoculture, Sue Goyette imagines that Nova Scotia’s last surviving stand of intact forest has been preserved for the enjoyment of the public–a premise that seems more like an inevitability than a speculation. Framing the text as visitors’ comments posted on the forest’s official website, Goyette speaks through a chorus of voices to explore the long consumptive, anthropocentric attitude that permeates our relationship with the natural world–from destructive harvesting prac